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Glass (one and three)

Joseph Kosuth 1945

  • Date

    1965

  • Material

    Black-and-white photograph; glass plate and gelatin silver process on baryta paper on aluminium

  • Extent

    150 × 350 × 12,5 cm

  • Type

    Beelden

  • Identifier

    KM 112.078

  • Source

    Formerly in the Visser collection, acquired with support from the Mondriaan Foundation

In image and word

In this work, the concept ‘glass’ is presented in both image and word. From left to right we see a photograph of a square pane of glass leaning against the wall, next to it the glass pane itself and finally a photograph of the description of the word ‘glass’ from an English-Dutch dictionary.

Raise questions

With this totality Joseph Kosuth aims to raise questions. How does the photographic image relate to the actual pane of glass? And how does a description in words relate to the real object? Thus the artist invites the observer to consider the relation between the idea of reality, reality itself and the depiction of reality.

Reflection

On the point of departure for this type of work, which he calls Object definitions, he says: ‘The expression lay in the idea and not in the form. The forms were merely an instrument in the service of the idea’. The works of Kosuth always involve a reflection on the essence of art in relation to reality.

Man looking at a painting in a museum gallery together with three children of different ages.

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